YOU CAN'T STOP ROCK N' ROLL.
quinta-feira, 31 de dezembro de 2009
domingo, 11 de março de 2007
JEFF BECK GROUP - "ROUGH AND READY" (1971)
O mestre Jeff Beck em seu primeiro album após a dissolução da primeira formação da "Jeff Beck Group", que contava com Rod Stewart e Ronnie Wood. Doses cavalares de pura lisergia, naquilo que seria redefinido como Jazz Rock, do qual podemos afirmar que Jeff Beck é seu inventor, uns dirão Miles Davis - e não, o que Miles fazia era Jazz de vanguarda, apesar de ter influenciado muita gente no Rock, inclusive Jeff Beck. "Rough And Ready" traz muitos elementos da música negra norte-americana (dos bons tempos): soul, blues, funk (o funk original...) e muito de rock progressivo/progressista, com aquela batida sincopada, numa interatividade fora do comum entre baixo & batera, aliás... por falar em bateria, temos a presença de um certo Cozy Powell nas baquetas deste album. A impressão que se tem deste album, é que ele foi gravado numa tomada só (one take only record), como se fosse ao vivo, de improviso (do qual Jeff é senhor absoluto), como numa "jam session". (EA)
Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge. As expected, these two sides are in conflict and Tench can be a little overbearing, but there are moments here that bring out the best in Beck. Namely, these are the times when the group ventures into extended, funk-inflected, reflective jazzy instrumental sections. These are the moments that point the way toward the success of Blow by Blow, yet this remains an unabashed rock record of its time, and it falls prey to many of its era's excesses, particularly lack of focus. Still, there are moments that are as fine as anything Beck played here. (Stephen Thomas Erlewine/Allmusic)
Personnel
Bob Tench: vocals and guitar
Jeff Beck: guitars, bass and production
Max Middleton: piano and keyboards
Clive Chaman: bass
Cozy Powell: drums
Tracks
Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge. As expected, these two sides are in conflict and Tench can be a little overbearing, but there are moments here that bring out the best in Beck. Namely, these are the times when the group ventures into extended, funk-inflected, reflective jazzy instrumental sections. These are the moments that point the way toward the success of Blow by Blow, yet this remains an unabashed rock record of its time, and it falls prey to many of its era's excesses, particularly lack of focus. Still, there are moments that are as fine as anything Beck played here. (Stephen Thomas Erlewine/Allmusic)
Personnel
Bob Tench: vocals and guitar
Jeff Beck: guitars, bass and production
Max Middleton: piano and keyboards
Clive Chaman: bass
Cozy Powell: drums
Tracks
1. I Got the Feeling
2. Situation
3. Short Business
4. Max's Tune
5. I've Been Used
6. New Ways / Train Train
7. Jody
7. Jody
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JOAN JETT - "ALBUM" (1983) - SPECIAL ISSUE
Edição especial com uma caralhada de material inédito e faixas bonus, que não estão na versão original em vinil, lançada em 1983. Clássico absoluto do Rock. Toda garota que quer fazer Rock n' Roll (isso serve prá muito "macho" também), tem que estudar este album obrigatoriamente.(EA)
Album is arguably Joan Jett's strongest non-compilation release, featuring a consistent, freewheelingly wide range of material (which the Blackhearts really tear into) and punchier, more detailed production. Once again, Jett delivers strong, enthusiastic performances, but this time, the quality of the material lends her equal support. The singles "Fake Friends" and "Everyday People" (the Sly & the Family Stone song) scraped the bottom of the Top 40 charts; other highlights include Jett's original "French Song," which details a ménage à trois.(Steve Huey/Allmusic)
Personnel
Joan Jett & the Blackhearts
Tracks
1. Fake Friends
2. Handyman
3. Everyday Prople
4. Hundred Feet Away, A
5. Secret Love
6. Star Star
7. French Song, The
8. Tossin' & Turnin'
9. Why Can't We Be Happy
10. I Love Playin' With Fire
11. Coney Island Whitefish
12. Had Enough
Album is arguably Joan Jett's strongest non-compilation release, featuring a consistent, freewheelingly wide range of material (which the Blackhearts really tear into) and punchier, more detailed production. Once again, Jett delivers strong, enthusiastic performances, but this time, the quality of the material lends her equal support. The singles "Fake Friends" and "Everyday People" (the Sly & the Family Stone song) scraped the bottom of the Top 40 charts; other highlights include Jett's original "French Song," which details a ménage à trois.(Steve Huey/Allmusic)
Personnel
Joan Jett & the Blackhearts
Tracks
1. Fake Friends
2. Handyman
3. Everyday Prople
4. Hundred Feet Away, A
5. Secret Love
6. Star Star
7. French Song, The
8. Tossin' & Turnin'
9. Why Can't We Be Happy
10. I Love Playin' With Fire
11. Coney Island Whitefish
12. Had Enough
13. Nitetime (Bonus)
14. Everyday People (Dance mix) (Bonus)
15. Wait For Me (Previously Unreleased) (Bonus)
16. Who Can You Trust (Previously Unreleased) (Bonus)
17. Scratch My Back (Previously Unreleased) (Bonus)
18. Locked Groove (Bonus)
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sexta-feira, 9 de março de 2007
BRAD DELP, VOCALISTA DO BOSTON, MORRE AOS 55 / BOSTON LEAD SINGER BRAD DELP DIES AT 55
Uma nota triste para o mundo do Rock n' Roll nesta sexta-feira. Uma notícia que eu não gostaria de dar, mas se faz necessária. Brad Delp, legendário vocalista da banda norte-americana Boston, faleceu em sua casa, em New Hampshire, E.U.A., por volta das 13:20 (horário local). As causas ainda são desconhecidas. Brad estava aparentemente sozinho em casa, quando ocorreu sua morte. Autor de sucessos inesquecíveis como "More Than a Feeling", "Don't Look Back", "Amanda", entre outros, vai fazer muita falta, num momento em que o estilo que ele ajudou a construir - o A.O.R. - está voltando à cena e é sem dúvida, uma perda irreparável. Seu último trabalho com o Boston foi "Corporate America" (2002). Há alguns dias, o rotten-orange postou um album do R.T.Z, projeto paralelo que Brad Delp mantinha com seu ex-companheiro de Boston, o guitarrista Barry Goudreau, fica aqui nosso tributo e nossa saudade. Os heróis morrem jovens, mas jamais desistem. Cabe a nós perpetuar o seu ideal, a bandeira do Rock n' Roll. Descanse em paz, Brad.
ATKINSON, N.H. - Brad Delp, the lead singer for the band Boston, was found dead Friday in his home in southern New Hampshire. He was 55. Atkinson police responded to a call for help at 1:20 p.m. and found Delp dead. Police Lt. William Baldwin said in a statement the death was "untimely" and that there was no indication of foul play.
Delp apparently was alone at the time of his death, Baldwin said.
The cause of his death remained under investigation by the Atkinson police and the New Hampshire Medical Examiner's office. Police said an incident report would not be available until Monday.
Delp sang vocals on Boston's 1976 hits "More than a Feeling" and "Longtime." He also sang on Boston's most recent album, "Corporate America," released in 2002.
He joined the band in the early 1970s after meeting Tom Scholz, an MIT student interested in experimental methods of recording music, according to the group's official Web site. The band enjoyed its greatest success and influence during its first decade.
The band's last appearance was in November 2006 at Boston's Symphony Hall.
ATKINSON, N.H. - Brad Delp, the lead singer for the band Boston, was found dead Friday in his home in southern New Hampshire. He was 55. Atkinson police responded to a call for help at 1:20 p.m. and found Delp dead. Police Lt. William Baldwin said in a statement the death was "untimely" and that there was no indication of foul play.
Delp apparently was alone at the time of his death, Baldwin said.
The cause of his death remained under investigation by the Atkinson police and the New Hampshire Medical Examiner's office. Police said an incident report would not be available until Monday.
Delp sang vocals on Boston's 1976 hits "More than a Feeling" and "Longtime." He also sang on Boston's most recent album, "Corporate America," released in 2002.
He joined the band in the early 1970s after meeting Tom Scholz, an MIT student interested in experimental methods of recording music, according to the group's official Web site. The band enjoyed its greatest success and influence during its first decade.
The band's last appearance was in November 2006 at Boston's Symphony Hall.
On Friday night, the Web site was taken down and replaced with the statement: "We just lost the nicest guy in rock and roll."
A call to the Swampscott, Mass., home of Boston guitarist Barry Goudreau was not immediately returned Friday night.
A call to the Swampscott, Mass., home of Boston guitarist Barry Goudreau was not immediately returned Friday night.
Maiores informações / for more info:
quinta-feira, 8 de março de 2007
LITTLE AMERICA - "FAIRGROUNDS" (1989)
A.O.R. de altíssimo nível!!! Banda da "fase clássica" do estilo, que começou em meados da década de 80's, teve um primeiro disco lançado em 1987 (muito raro, até mesmo em mp3, mesmo sendo uma banda contratada de uma grande gravadora - Geffen records). Este é o segundo trabalho e não poderia ser melhor: ótimas composições, ótima qualidade de produção, áudio espetacular, músicas bem executadas e músicos competentes; o fato curioso é, que apesar de ser um grupo mais voltado para o A.O.R., é a ausência de teclados!!! Destaque para as músicas "Where Were You", "Do You Feel" e o cover de "I'll Feel a Whole Lot Better" (The Byrds). Banda muito legal, pouco conhecida e que teve vida curta, mas que merece um lugar de destaque na cena A.O.R.
Little America was a mid-'80s quartet that came out of the so-called "paisley underground," though their sound was closer in spirit to '60s folk-rock than to psychedelia. Andy Logan was attending the University of California at Santa Barbara when he crossed paths with John Hussey. Both played guitar and sang, and were admirers of '60s folk-rock bands such as the Byrds and the Beau Brummels, and the two of them formed the Colours, a name that would later become something of an albatross around their necks as they weren't British -- on top of which, there had already been a group recording using that name. They eventually headed to Los Angeles, where Logan met Mike Magrisi, who had been the bassist in a local group called the Turn that was part of the then active psychedelic revival scene, often referred to as the paisley underground. Magrisi was as much a Byrds fan as Logan, only his idol was Gene Clark, whereas Logan affected a look and sound similar to David Crosby; a team-up seemed not only logical but natural and inevitable, and Magrisi brought his ex-Turn bandmate, drummer Kurt Custer, along with him. The quartet cut a three-song demo financed by Capitol Records, and seemed destined to be signed to the latter label until a disappointing live gig caused the company to lose interest. Instead, they ended up signed to Geffen Records, where they cut their self-titled debut album, released in 1987. It proceeded to sell over 100,000 copies on the strength of the single "Walk on Fire," and among those contributing to the album was Poco/Eagles alumnus Timothy B. Schmit on vocals. They toured a lot and were building up a following, but they found it hard to overcome the two-year gap between their first and second albums, or the bad feeling that resulted when the label insisted on bringing in an outside songwriter to augment their work, Magrisi providing most of their originals up to that point. The group broke up after being dropped by the label following the poor showing of the Fairgrounds album. Since then, Logan and Custer have worked together, and the latter has also been a member of Lynyrd Skynyrd, and played with Steve Earle, while Logan has recorded solo and also written songs. (Bruce Eder/Allmusic)
Personnel
Mike Magrisi - lead vocals, bass
Andy Logan - lead guitar, lead vocals
John Hussey - rhythm guitar, backing vocals
Custer - drums, percussion, backing vocals
Paul Sabu - producer
Tracks
1. Where Were You
Little America was a mid-'80s quartet that came out of the so-called "paisley underground," though their sound was closer in spirit to '60s folk-rock than to psychedelia. Andy Logan was attending the University of California at Santa Barbara when he crossed paths with John Hussey. Both played guitar and sang, and were admirers of '60s folk-rock bands such as the Byrds and the Beau Brummels, and the two of them formed the Colours, a name that would later become something of an albatross around their necks as they weren't British -- on top of which, there had already been a group recording using that name. They eventually headed to Los Angeles, where Logan met Mike Magrisi, who had been the bassist in a local group called the Turn that was part of the then active psychedelic revival scene, often referred to as the paisley underground. Magrisi was as much a Byrds fan as Logan, only his idol was Gene Clark, whereas Logan affected a look and sound similar to David Crosby; a team-up seemed not only logical but natural and inevitable, and Magrisi brought his ex-Turn bandmate, drummer Kurt Custer, along with him. The quartet cut a three-song demo financed by Capitol Records, and seemed destined to be signed to the latter label until a disappointing live gig caused the company to lose interest. Instead, they ended up signed to Geffen Records, where they cut their self-titled debut album, released in 1987. It proceeded to sell over 100,000 copies on the strength of the single "Walk on Fire," and among those contributing to the album was Poco/Eagles alumnus Timothy B. Schmit on vocals. They toured a lot and were building up a following, but they found it hard to overcome the two-year gap between their first and second albums, or the bad feeling that resulted when the label insisted on bringing in an outside songwriter to augment their work, Magrisi providing most of their originals up to that point. The group broke up after being dropped by the label following the poor showing of the Fairgrounds album. Since then, Logan and Custer have worked together, and the latter has also been a member of Lynyrd Skynyrd, and played with Steve Earle, while Logan has recorded solo and also written songs. (Bruce Eder/Allmusic)
Personnel
Mike Magrisi - lead vocals, bass
Andy Logan - lead guitar, lead vocals
John Hussey - rhythm guitar, backing vocals
Custer - drums, percussion, backing vocals
Paul Sabu - producer
Tracks
1. Where Were You
2. Do You Feel
3. Save Me
4. Never Be Alone
5. Maryjane
6. Fairgrounds
7. I'll Feel a Whole Lot Better (cover: The Byrds)
3. Save Me
4. Never Be Alone
5. Maryjane
6. Fairgrounds
7. I'll Feel a Whole Lot Better (cover: The Byrds)
8. Changing Tune
9. I See Your Face
10. They Cast Shadows
11. It's Not Me
9. I See Your Face
10. They Cast Shadows
11. It's Not Me
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terça-feira, 6 de março de 2007
DAVID GILMOUR - "ABOUT FACE" (1984)
Falar de ídolos é muito prazeroso, mas nem sempre uma tarefa das mais fáceis. Não se trata de um "disco solo", mas sim uma "extensão" do próprio Pink Floyd naquele difícil começo dos anos 80's - para o Rock progressista. Difícil porque o Pink Floyd tinha dado um tempo, Roger Waters, como sempre, afundado no seu egocentrismo e a batalha judicial, de ambos, para se apossarem da "marca" Pink Floyd e a mídia havia se voltado para fórmulas mais fáceis e descartáveis, ou seja, fabricando o sucesso. Mas (ainda) havia a música. "About Face" tem tudo da banda original de David e se esse album não havia a presença de Roger Waters, Rick Wright e Nick Mason, havia um timaço que deu conta do recado: Steve Winwood (Traffic), Jon Lord (Deep Purple), Bob Ezrin (megaprodutor), Jeff Porcaro (Toto) e sem falar na colaboração de Pete Townshend (The Who), na composição de algumas músicas. Precisa de mais? (EA)
David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face show a pop sensibility that Pink Floyd rarely was concerned with achieving. Although the album didn't attract the attention of a Floyd release, several cuts did manage to get airplay. "Until We Sleep" is rife with shimmering synthesizers and cavernous drums, and "Blue Light" was a minor pop hit, with Gilmour's trademark delay-drenched guitar giving way to a driving, horn-laced rocker. Pete Townshend wrote two of the tracks: "Love on the Air" and the propulsive "All Lovers Are Deranged." Of course, there's more than enough of Gilmour's fluid guitar playing to satisfy, including the gorgeous "Murder," a gentle acoustic track that explodes with some fiery organ by Steve Winwood and concludes with a fierce coda. About Face is well-honed rock album that is riveting from beginning to end.(Tom Demalon/Allmusic)
Personnel
David Gilmour (vocals, guitar)
Barbara Snow, Roddy Lorimer, Tim Sanders, Simon Clark (horns)
Steve Winwood (piano, organ)
Ian Kewley (piano, Hammond b-3 organ)
Bob Ezrin (keyboards)
Jon Lord, Anne Dudley (synthesizer)
Pino Palladino (bass guitar)
Jeff Porcaro (drums, percussion)
Louis Jardin, Ray Cooper (percussion)
Vicki Brown, Roy Harper, Sam Brown , Mickey Feat (background vocals)
Tracks
1. Until We Sleep
2. Murder
3. Love On The Air
4. Blue Light
5. Out Of The Blue
6. All Lovers Are Deranged
7. You Know I'm Right
8. Cruise
9. Let's Get Metaphysical
10. Near The End
David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face show a pop sensibility that Pink Floyd rarely was concerned with achieving. Although the album didn't attract the attention of a Floyd release, several cuts did manage to get airplay. "Until We Sleep" is rife with shimmering synthesizers and cavernous drums, and "Blue Light" was a minor pop hit, with Gilmour's trademark delay-drenched guitar giving way to a driving, horn-laced rocker. Pete Townshend wrote two of the tracks: "Love on the Air" and the propulsive "All Lovers Are Deranged." Of course, there's more than enough of Gilmour's fluid guitar playing to satisfy, including the gorgeous "Murder," a gentle acoustic track that explodes with some fiery organ by Steve Winwood and concludes with a fierce coda. About Face is well-honed rock album that is riveting from beginning to end.(Tom Demalon/Allmusic)
Personnel
David Gilmour (vocals, guitar)
Barbara Snow, Roddy Lorimer, Tim Sanders, Simon Clark (horns)
Steve Winwood (piano, organ)
Ian Kewley (piano, Hammond b-3 organ)
Bob Ezrin (keyboards)
Jon Lord, Anne Dudley (synthesizer)
Pino Palladino (bass guitar)
Jeff Porcaro (drums, percussion)
Louis Jardin, Ray Cooper (percussion)
Vicki Brown, Roy Harper, Sam Brown , Mickey Feat (background vocals)
Tracks
1. Until We Sleep
2. Murder
3. Love On The Air
4. Blue Light
5. Out Of The Blue
6. All Lovers Are Deranged
7. You Know I'm Right
8. Cruise
9. Let's Get Metaphysical
10. Near The End
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domingo, 4 de março de 2007
VANDENBERG - "HEADING FOR A STORM" (1983)
PARA MUITOS, o melhor trabalho da banda. Menos pesado que o seu antecessor, com o virtuosismo de Adrian Vandenberg transbordando pelas nove músicas deste album. Há muito de A.O.R. nesse disco, com todos os elementos que fazem a cabeça da galera: teclados, refrões poderosos, baladas, etc. Tem também aquela influência indispensável da NWOBHM, mas o ponto interessante é o esforço da banda em se mostrar original, e como sempre, a guitarra poderosa de Adrian rouba a cena.(EA)
Vandenberg’s second release Heading For a Storm is another great lost hard rock classic of the 1980s. The album is a bit more polished compared to their debut album experimenting with different sounds and production. The songs are great but I do wish they had the raw bite production that is all over the band's debut album. Nonetheless "Heading For A Storm" is essential listening and features many great songs like the minor FM radio hit, “Friday Night.” There is also a great “Thank you”-esque ballad called “Different Worlds” which has some of the coolest classical guitar flourishes ever heard on a power ballad! The rockers blaze like on the AC/DC-ish “Rock On” and the title track. It is too bad that Vandenberg never really caught on because the band had the potential to put Holland on the rock and roll map over close but no cigar acts like Focus and Golden Earring. (Xrayspectacle/CD Universe)
Personnel
Jos Zoomer - drums, backing vocals
Dick Kemper - bass, backing vocals
Bert Heerink - lead and backing vocals
Adrian Vandenberg - guitars, keyboards, backing vocals
Tracks
1. Friday Night
2. Welcome to the Club
3. Time Will Tell
4. Different Worlds
5. This is War
6. I'm on Fire
7. Heading for a Storm
8. Rock On
9. Waiting for the Night
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Vandenberg’s second release Heading For a Storm is another great lost hard rock classic of the 1980s. The album is a bit more polished compared to their debut album experimenting with different sounds and production. The songs are great but I do wish they had the raw bite production that is all over the band's debut album. Nonetheless "Heading For A Storm" is essential listening and features many great songs like the minor FM radio hit, “Friday Night.” There is also a great “Thank you”-esque ballad called “Different Worlds” which has some of the coolest classical guitar flourishes ever heard on a power ballad! The rockers blaze like on the AC/DC-ish “Rock On” and the title track. It is too bad that Vandenberg never really caught on because the band had the potential to put Holland on the rock and roll map over close but no cigar acts like Focus and Golden Earring. (Xrayspectacle/CD Universe)
Personnel
Jos Zoomer - drums, backing vocals
Dick Kemper - bass, backing vocals
Bert Heerink - lead and backing vocals
Adrian Vandenberg - guitars, keyboards, backing vocals
Tracks
1. Friday Night
2. Welcome to the Club
3. Time Will Tell
4. Different Worlds
5. This is War
6. I'm on Fire
7. Heading for a Storm
8. Rock On
9. Waiting for the Night
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sábado, 3 de março de 2007
R.T.Z. - "LOST AND FOUND" (2004) / 02 CD ISSUE
R.T.Z. ==> Return To Zero. De volta à marca inicial. Onde tudo começou, retorno ás raízes. Projeto celebrado entre duas figuras de suma importância na história do Boston e para o cenário A.O.R. - o vocal Brad Delp e o guitarrista Barry Goudreau - ambos da line up original do Boston. Este projeto teve início ainda no final dos 80's e lançaram um primeiro trabalho em 1991, com ótima receptividade pela crítica e mais aclamado ainda pelos fãs; lançaram mais um album em 1999 que levou o título de "Lost", não tão bom quanto o primeiro. "Lost and Found" é um disco que reúne faixas inéditas e sobras de estúdio das sessões de gravação dos dois albums oficiais lançados e de quebra, essa edição especial trás ainda um CD bonus gravado no home studio de Barry Goudreau, com material nunca antes lançado pela dupla Delp & Goudreau e tem aquele clima bem setentão, do qual esses caras são ícones absolutos. Como se trata de rough mixes (gravações brutas), a qualidade de duas ou três músicas não são exatamente uma produção de primeira, mas infinitamente superior e bem melhor do que muito bootleg e material pirata que eu vejo em alguns forums por aí e além do mais, se trata de um produto oficial. Altamente recomendável para fãs do Boston. (EA)
Between the decade-long gaps between most Boston albums, singer Brad Delp has kept himself busy either singing on records by other artists (including former Boston rhythm guitarist Barry Goudreau's self-titled 1980 release, Orion the Hunter's 1984 debut, etc.), or with side bands such as RTZ. The group formed in the early '90s and saw Delp once more joined by Goudreau, resulting in a self-titled debut of commercially accessible arena rock and power ballads. Issued in July of 1991, the album spawned a surprise Top 30 hit single with "Until Your Love Comes Back Around." Not much was heard from the band afterwards, as Delp eventually returned back to Boston in time for the tour in support of their 1994 release, Walk On, which led many to believe that RTZ was a one-off project. But this proved to not be the case, as May of 2000 saw the release of RTZ's sophomore effort, Lost. (Greg Prato/Allmusic)
Between the decade-long gaps between most Boston albums, singer Brad Delp has kept himself busy either singing on records by other artists (including former Boston rhythm guitarist Barry Goudreau's self-titled 1980 release, Orion the Hunter's 1984 debut, etc.), or with side bands such as RTZ. The group formed in the early '90s and saw Delp once more joined by Goudreau, resulting in a self-titled debut of commercially accessible arena rock and power ballads. Issued in July of 1991, the album spawned a surprise Top 30 hit single with "Until Your Love Comes Back Around." Not much was heard from the band afterwards, as Delp eventually returned back to Boston in time for the tour in support of their 1994 release, Walk On, which led many to believe that RTZ was a one-off project. But this proved to not be the case, as May of 2000 saw the release of RTZ's sophomore effort, Lost. (Greg Prato/Allmusic)
Personnel
Brad Delp - Vocals
Barry Goudreau - Guitar, Keyboards
David Stefanelli - Drums
Tim Archibald - Bass
tracks
CD #01 - Lost and Found
1. One Step Away
2. Fool For Love
3. Such A Fool
4. Rise Above It All
5. Social Disease
6. I'm On A Roll
7. Rock The Night
8. Winners And Losers
9. Better & Better
10. Power Of Love
11. Show Me
CD #02 - Delp & Goudreau
Brad Delp - Vocals
Barry Goudreau - Guitar, Keyboards
David Stefanelli - Drums
Tim Archibald - Bass
tracks
CD #01 - Lost and Found
1. One Step Away
2. Fool For Love
3. Such A Fool
4. Rise Above It All
5. Social Disease
6. I'm On A Roll
7. Rock The Night
8. Winners And Losers
9. Better & Better
10. Power Of Love
11. Show Me
CD #02 - Delp & Goudreau
01. What You Leave Behind
02. Hands of Time
03. Let it Roll
04. Out of My Hands
05. Keep on Runnin'
06. Everyday
07. I Need Your Love
08. The Rhythm Won't Stop
09. Reconciliation
10. My One True Love
03. Let it Roll
04. Out of My Hands
05. Keep on Runnin'
06. Everyday
07. I Need Your Love
08. The Rhythm Won't Stop
09. Reconciliation
10. My One True Love
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quinta-feira, 1 de março de 2007
MICHAEL SCHENKER - "ADVENTURES OF THE IMAGINATION" (1999)
AULA GRATUITA DE GUITARRA, tratar com o senhor Michael Schenker... Album instrumental, onde o mestre alemão das seis cordas mostra porque veio ao mundo e influenciou toda uma gama de guitarristas, de Dave Murray à Kiko Loureiro. Um album totalmente desencanado, formado apenas por um power trio - guitarra-baixo-bateria (Michael sempre declara que "vocalistas" às vezes só atrapalham...). Este disco tem muito do U.F.O. , com passagens bem jazzy, ora bluesy e desaguando no bom e velho Heavy Rock, bem crú e direto. (EA)
UFO guitarist extraordinaire Michael Schenker is back with his first all-instrumental effort. He teased listeners in his early UFO days with instrumentals like "Lipstick Traces" and "Arbory Hill." Now Schenker fans get a full platter. Gone are the trademark Schenker rapid fire chops, but the melodic chord structures are still intact. Backed by the legendary Aynsley Dunbar (ex-Journey member) on drums and Jaohn Onder on bass, Schenker has a very solid rhythm section to work with. Standout tracks are "Three Fish Dancing," "Aardvark in a VW Smoking a Cigar," and "Old Man With Sheep on Mars." This is not necessarily an all that imaginative adventure, but Schenker purists will enjoy the trip. (Joseph Scotti/Allmusic)
UFO guitarist extraordinaire Michael Schenker is back with his first all-instrumental effort. He teased listeners in his early UFO days with instrumentals like "Lipstick Traces" and "Arbory Hill." Now Schenker fans get a full platter. Gone are the trademark Schenker rapid fire chops, but the melodic chord structures are still intact. Backed by the legendary Aynsley Dunbar (ex-Journey member) on drums and Jaohn Onder on bass, Schenker has a very solid rhythm section to work with. Standout tracks are "Three Fish Dancing," "Aardvark in a VW Smoking a Cigar," and "Old Man With Sheep on Mars." This is not necessarily an all that imaginative adventure, but Schenker purists will enjoy the trip. (Joseph Scotti/Allmusic)
Tracks
01. Achtung Fertig, Los
02. Open Gate
03. Three Fish Dancing
04. Michael Schenker, Jr.
05. Aardvark In a VW Smoking a Cigar
02. Open Gate
03. Three Fish Dancing
04. Michael Schenker, Jr.
05. Aardvark In a VW Smoking a Cigar
06. I Want To Be With You
07. Old Man With Sheep On Mars
08. At The End Of The Day
09. Hand In hand
07. Old Man With Sheep On Mars
08. At The End Of The Day
09. Hand In hand
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DON PATROL - "DON PATROL" (1990)
Banda sueca de "responsa", surgida no final dos 80's em meio à profusão do "novo" Hard Rock, com um som muito particular e original, com fortes influências de Aerosmith e southern rock, no estilo do Molly Hatchet. Embora com visual beirando o glam, o som desse grupo é muito diferente daquela linha Poison-Motley Crue-Faster Pussycat, mas com a temática das letras bem semelhantes, falando de mulheres, bebedeiras e noites intermináveis. Essa banda está mais para a linha do Warrior Soul-War Babies-King's X, com fraseados de harmônica, slide guitars e aquela coisa toda que caracteriza o som do sul dos Estados Unidos, embora seja um quinteto europeu.
Personnel
Dille Diedricson - Vocals, Guitar
Peter Nordholm - Lead Guitar
Henkan Thomsen - Bass
Hakan Johansson - Keyboards
Imre Daun - Drums
Tracks
1. No Time To Fight
2. All Night Long
3. Fire With Fire
4. I'll Be Coming Around
5. Under Attack
6. Hungry For Ya
7. Highway Of Love
8. In A Minute Of Love
9. Hard Time City
10. The Last Prisoner
11. Chinese Night
12. Make It Through The Night
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Personnel
Dille Diedricson - Vocals, Guitar
Peter Nordholm - Lead Guitar
Henkan Thomsen - Bass
Hakan Johansson - Keyboards
Imre Daun - Drums
Tracks
1. No Time To Fight
2. All Night Long
3. Fire With Fire
4. I'll Be Coming Around
5. Under Attack
6. Hungry For Ya
7. Highway Of Love
8. In A Minute Of Love
9. Hard Time City
10. The Last Prisoner
11. Chinese Night
12. Make It Through The Night
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quarta-feira, 28 de fevereiro de 2007
PRETTY MAIDS - "SPOOKED" (1997)
BANDA que eu sempre tive curiosidade em conhecer o som - desde os 80's - mas por algum motivo, sempre acabava ficando só na vontade (lembre que nos 80's, se a gente quisesse escutar um som tinha que comprar, principalmente no interior). Recentemente adquiri a discografia completa do Pretty Maids e descubri que se trata de um dos maiores expoentes do movimento Hard n' Heavy! Altamente melódico, com refrões assustadores, peso e a muita criatividade e em alguns momentos, o grupo se dá ao direito de flertar com o A.O.R. (escute "Live Until It Hurts" e "Never Too Late"), baladas emocionantes e teclados que dão um clima muito interessante no som do P.M. O vocal chega a lembrar um Dee Snider bem furioso, influências de que vão de Kiss (escute o cover de "Hard Luck Woman") a Queen, passando pelo metal melódico. Enfim, esta banda poussi todos os elementos que fazem qualquer cabeça sair rolando do pescoço, tamanha a empolgação da música desses caras, de arrepiar mesmo!!
Personnel
Michael Fast - drums
Ken Jackson - bass
Ken Hammer - guitars
Ronnie Atkins - vocals
Ken Jackson - bass
Ken Hammer - guitars
Ronnie Atkins - vocals
Tracks
1. Resurrection 
2. Freakshow
3. Dead or Alive
4. Die With Your Dreams
5. Fly Me Out
6. Live Until it Hurts
7. Spooked
8. Twisted
9. If It Can't Be Love
10. Never Too Late
11. Your Mind is Where the Money Is
12. Hard Luck Woman (Cover KISS)
13. The One That Should Not Be
2. Freakshow
3. Dead or Alive
4. Die With Your Dreams
5. Fly Me Out
6. Live Until it Hurts
7. Spooked
8. Twisted
9. If It Can't Be Love
10. Never Too Late
11. Your Mind is Where the Money Is
12. Hard Luck Woman (Cover KISS)
13. The One That Should Not Be
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segunda-feira, 26 de fevereiro de 2007
ESPECIAL BRYAN ADAMS NO BRASIL ***FINAL***
Esta aí, conforme prometido, a discografia completa de Bryan Adams. É claro que foram postados apenas os álbuns de carreira, ficando de fora EP's, Singles, edições comemorativas, coletâneas do tipo Best Of ou Greatest Hits, etc. Para quem curte o trabalho magnífico deste músico canadense, que é a própria bandeira dos anos 80's, uma ótima oportunidade para rever grandes clássicos. Para quem não conhece, não perca tempo e comece a baixar tudo. Para quem sai falando besteira e nem sequer conhece o trampo do cara, eu dou risada. Um artista nunca faz música para agradar ninguém. Ele compõe para satisfazer suas próprias necessidades individuais. Se o sucesso ocorre é porque muitos acreditam em seu potencial artístico. De doze albuns de carreira que Bryan Adams lançou, pelo menos cinco ou seis deles atingiram o primeiro posto das paradas americanas ou inglesas e pelo menos três desses discos conquistaram o Top #01 SIMULTANEAMENTE nos Estados Unidos e na Inglaterra. Poucos mortais - como os Beatles - tiveram essa proeza em suas carreiras. E agora... seguimos com nossa "programação" normal...
[ESPECIAL] BRYAN ADAMS - "ROOM SERVICE" (2004)
Personnel
Bryan Adams - guitar, vocals
Keith Scott - lead guitar
Mickey Curry - drums
Bryan Adams - guitar, vocals
Keith Scott - lead guitar
Mickey Curry - drums
Norm Fisher - bass
Gary Breit - keyboards
Track listing
1. East Side Story
2. This Side Of Paradise
3. Not Romeo Not Juliet
4. Flying
5. She's A Little Too Good For Me
6. Open Road
7. Room Service
8. I Was Only Dreamin'
9. Right Back Where I Started
10. Nowhere Fast
11. Why Do You Have To Be So Hard To Love
12. Blessing In Disguise (bonus from UK/Japan editions)
Gary Breit - keyboards
Track listing
1. East Side Story
2. This Side Of Paradise
3. Not Romeo Not Juliet
4. Flying
5. She's A Little Too Good For Me
6. Open Road
7. Room Service
8. I Was Only Dreamin'
9. Right Back Where I Started
10. Nowhere Fast
11. Why Do You Have To Be So Hard To Love
12. Blessing In Disguise (bonus from UK/Japan editions)
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[ESPECIAL] BRYAN ADAMS - "SPIRIT: STALLION OF THE CIMARRON" (2002) *SOUNDTRACK*
Personnel
Bryan Adams - Bass, Acoustic and Electric Guitar
Keith Scott - Guitar
Mickey Curry - Drums
Heitor Pereira - Acoustic and Electric Guitar
Davey Johnstone - Electric Guitar
David Channing - 12 String Guitar
Martin Tillman - Electric Cello
Craig Eastman - Fiddle
Pointless Brothers - Background Vocals
Tracks
01. Here I Am (End Title)
02. I Will Always Return
03. You Can't Take Me
04. Get Off My Back
05. Brothers Under The Sun
06. Don't Let Go (with Sarah McLachlan)
07. This Is Where I Belong
08. Here I Am
09. Sound The Bugle
10. Run Free
11. Homeland (Main Title)
12. Rain
13. The Long Road Back
14. Nothing I've Ever Known
15. I Will Always Return (Finale)
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Bryan Adams - Bass, Acoustic and Electric GuitarKeith Scott - Guitar
Mickey Curry - Drums
Heitor Pereira - Acoustic and Electric Guitar
Davey Johnstone - Electric Guitar
David Channing - 12 String Guitar
Martin Tillman - Electric Cello
Craig Eastman - Fiddle
Pointless Brothers - Background Vocals
Tracks
01. Here I Am (End Title)
02. I Will Always Return
03. You Can't Take Me
04. Get Off My Back
05. Brothers Under The Sun
06. Don't Let Go (with Sarah McLachlan)
07. This Is Where I Belong
08. Here I Am
09. Sound The Bugle
10. Run Free
11. Homeland (Main Title)
12. Rain
13. The Long Road Back
14. Nothing I've Ever Known
15. I Will Always Return (Finale)
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sábado, 24 de fevereiro de 2007
[ESPECIAL] BRYAN ADAMS - "ON A DAY LIKE TODAY" (1998)
Personnel
Bryan Adams - guitars, piano, vocals
Mickey Curry - drums
Keith Scott - bass, guitar
Phil Thornalley - guitar, bass
Dave Pickell - piano, organ
Danny Cummings - percussion
Tracks
1. How Do Ya Feel Tonight
2. C'mon C'mon C'mon
3. Getaway
4. On a Day Like Today
5. Fearless
6. I'm a Liar
7. Cloud Number Nine
8. When You're Gone
9. Inside Out
10. If I Had You
11. Before the Night Is Over
12. I Don't Wanna Live Forever
13. Where Angels Fear to Tread
14. Lie To Me
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Bryan Adams - guitars, piano, vocals
Mickey Curry - drums
Keith Scott - bass, guitar
Phil Thornalley - guitar, bass
Dave Pickell - piano, organ
Danny Cummings - percussion
Tracks
1. How Do Ya Feel Tonight
2. C'mon C'mon C'mon
3. Getaway
4. On a Day Like Today
5. Fearless
6. I'm a Liar
7. Cloud Number Nine
8. When You're Gone
9. Inside Out
10. If I Had You
11. Before the Night Is Over
12. I Don't Wanna Live Forever
13. Where Angels Fear to Tread
14. Lie To Me
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[ESPECIAL] BRYAN ADAMS - "MTV UNPLUGGED" (1997)
Personnel
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Bryan Adams - rhythm guitar, vocals
Keith Scott - lead guitar
Tommy Mandel - Hammond organ
Dave Taylor - bass
Mickey Curry - drums
Tracks
1. Summer of '69
2. Back To You
3. Cuts Like A Knife
4. I'm Ready
5. Fits Ya Good
6. When You Love Someone
7. 18 Til I Die
8. I Think About You
9. If Ya Wanna Be Bad/Let's Make A Night...
10. The Only Thing That Looks Good On Me Is You
11. A Little Love
12. Heaven
13. I'll Always Be Right There
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Bryan Adams - rhythm guitar, vocals
Keith Scott - lead guitar
Tommy Mandel - Hammond organ
Dave Taylor - bass
Mickey Curry - drums
Tracks
1. Summer of '69
2. Back To You
3. Cuts Like A Knife
4. I'm Ready
5. Fits Ya Good
6. When You Love Someone
7. 18 Til I Die
8. I Think About You
9. If Ya Wanna Be Bad/Let's Make A Night...
10. The Only Thing That Looks Good On Me Is You
11. A Little Love
12. Heaven
13. I'll Always Be Right There
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sexta-feira, 23 de fevereiro de 2007
[ESPECIAL] BRYAN ADAMS - "18 TIL I DIE" (1996)
Personnel
Bryan Adams - rhythm guitar, vocals
Keith Scott - lead guitar
Mickey Curry - drums
Dave Taylor - bass
Olle Romo - percussion
Michael Kamen - piano, string arrangements
Mutt Lange - guitars
Tracks (Canada/U.S. edition)
1.The Only Thing That Looks Good on Me Is You
2.Do to You
3.Let's Make a Night to Remember
4.18 'til I Die
5.Star
6.(I Wanna Be) Your Underwear
7.We're Gonna Win
8.I Think about You
9.I'll Always Be Right There
10.It Ain't a Party If You Can't Come 'round
11.Black Pearl
12.You're Still Beautiful to Me
13.Have You Ever Really Loved a Woman?
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[ESPECIAL] BRYAN ADAMS - "WAKING UP THE NEIGHBOURS" (1991)
Personnel
Bryan Adams - rhythm guitar, vocals, co-producer
Keith Scott - lead guitar
Tommy Mandel - Hammond organ
Dave Taylor - bass
Mickey Curry - drums
Tracks
1.Is Your Mama Gonna Miss Ya
8. Do I Have to Say the Words?
9. There Will Never Be Another Tonight
10. All I Want Is You
11.Depend on Me
12. (Everything I Do) I Do It for You
13. If You Wanna Leave Me (Can I Come Too?)
Bryan Adams - rhythm guitar, vocals, co-producer
Keith Scott - lead guitar
Tommy Mandel - Hammond organ
Dave Taylor - bass
Mickey Curry - drums
Tracks
1.Is Your Mama Gonna Miss Ya
2. Hey Honey - I'm Packin' You In!
3. Can't Stop This Thing We Started
4. Thought I'd Died and Gone to Heaven
5. Not Guilty
6. Vanishing
7. House Arrest
4. Thought I'd Died and Gone to Heaven
5. Not Guilty
6. Vanishing
7. House Arrest
8. Do I Have to Say the Words?9. There Will Never Be Another Tonight
10. All I Want Is You
11.Depend on Me
12. (Everything I Do) I Do It for You
13. If You Wanna Leave Me (Can I Come Too?)
14. Touch the Hand
15. Don't Drop that Bomb on Me
15. Don't Drop that Bomb on Me
Produced by Robert John "Mutt" Lange (Def Leppard, Starship, Shania Twain...)
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quinta-feira, 22 de fevereiro de 2007
[ESPECIAL] BRYAN ADAMS - "LIVE! LIVE! LIVE! (1988)
Personnel
Bryan Adams - rhythm guitars, lead vocals
Keith Scott - lead guitars, rhythm guitars, BG vocals
Dave Taylor - bass guitar
Tommy Mandel - keyboards
Mickey Curry - drums
Tracks
1. She's Only Happy When She's Dancin'
2. It's Only Love
3. Cuts Like a Knife
4. Kids Wanna Rock
5. Hearts On Fire
6. Take Me Back
7. The Best Was Yet To Come
8. Heaven
9. Heat Of The Night
10. Run to You
11. One Night Love Affair
12. Long Gone
13. Summer of '69
14. Somebody
15. Walking After Midnight
16. I Fought The Law
17. Into The Fire - (acoustic version)
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Bryan Adams - rhythm guitars, lead vocals
Keith Scott - lead guitars, rhythm guitars, BG vocals
Dave Taylor - bass guitar
Tommy Mandel - keyboards
Mickey Curry - drums
Tracks
1. She's Only Happy When She's Dancin'
2. It's Only Love
3. Cuts Like a Knife
4. Kids Wanna Rock
5. Hearts On Fire
6. Take Me Back
7. The Best Was Yet To Come
8. Heaven
9. Heat Of The Night
10. Run to You
11. One Night Love Affair
12. Long Gone
13. Summer of '69
14. Somebody
15. Walking After Midnight
16. I Fought The Law
17. Into The Fire - (acoustic version)
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quarta-feira, 21 de fevereiro de 2007
[ESPECIAL] BRYAN ADAMS - "INTO THE FIRE" (1987)
Personnel
Bryan Adams - guitar, piano, keyboards, vocals
Keith Scott - lead guitar, backing vocals
Mickey Curry - drums
Dave Taylor - bass
Session musicians:
Tommy Mandel - organ, keyboards
Robbie King - organ
Jim Vallance - piano, percussion, sequencer
Dave Pickel - piano
Ian Stanley - keyboards
Tracks
1. Heat of the Night
2. Into the Fire
3. Victim of Love
4. Another Day
5. Native Son
6. Only the Strong Survive
7. Rebel
8. Remembrance Day
9. Hearts on Fire
10. Home Again
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Bryan Adams - guitar, piano, keyboards, vocals
Keith Scott - lead guitar, backing vocals
Mickey Curry - drums
Dave Taylor - bass
Session musicians:
Tommy Mandel - organ, keyboards
Robbie King - organ
Jim Vallance - piano, percussion, sequencer
Dave Pickel - piano
Ian Stanley - keyboards
Tracks
1. Heat of the Night
2. Into the Fire
3. Victim of Love
4. Another Day
5. Native Son
6. Only the Strong Survive
7. Rebel
8. Remembrance Day
9. Hearts on Fire
10. Home Again
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terça-feira, 20 de fevereiro de 2007
[ESPECIAL] BRYAN ADAMS - "RECKLESS" (1984)
Personnel
Bryan Adams - lead vocals & guitarKeith Scott - guitar and vocals
Jim Vallance - percussion
Dave Taylor - bass
Pat Steward - drums, BG vocals
Tommy Mandel - keyboards
Jody Perpick - BG sounds, vocals
Mickey Curry - drums
guest musicians:
Tina Turner - vocal on "It's Only Love"
Lou Gramm of FOREIGNER - BG vocals
Steve Smith of JOURNEY - drums
Tracks
1. One Night Love Affair
2. She's Only Happy (When She's Dancin')
3. Run to You
4. Heaven
5. Somebody
6. Summer of '69
7. Kids Wanna Rock
8. It's Only Love
9. Long Gone
10. Ain't Gonna Cry
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[ESPECIAL] BRYAN ADAMS - "CUTS LIKE A KNIFE" (1983)
PersonnelBryan Adams - vocals, guitars, piano
Jim Vallance - guitars, percussion, keyboards
Mickey Curry - drums
Tommy Mandel - organ, synthesizer
Keith Scott - guitars, vocals
Alfa Anderson - BG vocals
guest musicians:
Lou Gramm of Foreigner - BG vocals
Tracks
1. The Only One
2. Take Me Back3. This Time
4. Straight from the Heart
5. Cuts Like a Knife
6. I'm Ready
7. What's It Gonna Be
8. Don't Leave Me Lonely
9. Let Him Know
10. The Best Was Yet to Come
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[ESPECIAL] BRYAN ADAMS - "YOU WANT IT, YOU GOT IT" (1981)
PersonnelBryan Adams - guitars, piano, vocals
Mickey Curry - drums
Jamie Glaser - guitars
Tommy Mandel - keyboards, organ, synthesizer
Jimmy Maclen - percussion
G.E. Smith - guitars
Tracks
1. Lonely Nights
2. One Good Reason
3. Don't Look Now
4. Coming Home
5. Fits Ya Good
6. Jealousy
7. Tonight
8. You Want It, You Got It
9. Last Chance
10. No One Makes It Right
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[ESPECIAL] BRYAN ADAMS - "BRYAN ADAMS" (1980)
PERSONNELGuitar: Keith Scott • Jamie Glaser
Keyboard: : Gary Breit • Tommy Mandel • Bill Payne
Drums: Mickey Curry • Pat Steward • Steve Smith
Bass: Norm Fisher • Dave Taylor • Brian Stanley
TRACKS:
01.Hiding From Love
02.Win Some, Lose Some
03.Wait and See
04.Give Me Your Love
05.Wastin' Time
06.Don't Ya Say It
07.Remember
08.State of Mind
09.Try to See It My Way
06.Don't Ya Say It
07.Remember
08.State of Mind
09.Try to See It My Way
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ESPECIAL BRYAN ADAMS NO BRASIL
PELA PRIMEIRA VEZ NO BRASIL!!!! Bryan Adams ao vivo em quatro super shows (que já estão com ingressos esgotados). Os shows fazem parte da tournée de divulgação do ábum "Room Service", lançado no final de 2005. O set list promete dar uma traçada geral na carreira do cara, com os hits que marcaram um dos maiores músicos da história do Rock n' Roll, especialmente de seus primeiros albuns, já que Bryan Adams nunca fez shows no Brasil (em 1996, foram confirmados alguns concertos, com ingressos até colocados à venda, mas por de$acordo comercial foram cancelados). Em comemoração à tour do cantor pelo Brasil, o Rotten Orange vai disponibilzar a discografia completa de Bryan Adams, um artista de incontestável importância para o Rock n' Roll. Sei que muito radicalzinho de plantão torce a rabitchola para o cara, mas na realidade, Bryan Adams é muito mais útil ao Rock n' Roll do que figuras descartáveis como Kurt Cobain - até músicas para o Kiss o cara já compôs, em parceria com Jim Vallace. Confira abaixo as datas e os locais dos shows no Brasil, divulgadas no site oficial do artista.
KISS - "MUSIC FROM THE ELDER" (1981)
FALAR do Kiss é um trabalho muito fácil. Ou o próprio sinônimo do termo "Rock n' Roll". Em 1981, já com a carreira mais do que consolidada, discos de platinas duplos, conhecidos em todo o planeta Terra, multimilionários e não havia ainda o que eles não tivessem experimentado em suas vidas profissionais. Não?!?! Sim!!!! Ainda faltava algo: um album conceitual, nos moldes de "Tommy" (The Who) ou "The Wall" (Pink Floyd). Enfim, um desafio, um marco na carreira do Kiss. "Music From The Elder" não tem a complexidade de um "The Wall", mas pode ser considerado o "disco progressivo do Kiss", com incursões de música sinfônica (com orquestra e tudo mais, fator que seria abordado mais tarde em "Kiss Symphony Alive IV" - 2003). Contudo, não se trata do disco mais "soft" da banda, há uma presença constante de elementos que seriam adicionados três ou quatro depois ao som da banda (escute "Only You"), já dando uma espécie de "preview" do que seria a fase "unmasked" (sem máscaras - ou fase 80's - ou ainda fase "poser"). A música "Escape From The Island" seria uma premonição sobre "LOST"? (rss... brincadeirinha). A capa e o encarte da versão original é de muita importância para se entender este trabalho do Kiss: trata-se do "libretto", como em uma ópera, onde você acompanha os movimentos (no caso, a música) e lê a história. É o Kiss, a maior banda de Rock n' Roll do mundo, no auge da sua criatividade. Quanto mais eu escuto este album, mais eu gosto dele, mesmo 26 anos depois do seu lançamento. A longevidade só é possível quando a música não é tratada como sendo uma moda passageira e descartável. Da mesma forma que uma obra sinfônica de Brahms ou Beethoven, um CLÁSSICO. E é assim que ele será lembrado daqui a 200 anos.
Personnel
Paul "Dr. Love" Stanley
Ace Frehley
Gene Simmons
Eric Carr
Tracks
01. Fanfarre (intro)
02. Just a Boy
03. Odyssey
04. Only You
05. Under The Rose
06. Dark Light (Ace Frehley on vocals)
07. A World Without Heroes
08. The Oath
09. Mr. Blackwell
10. Escape From The Island
11. I
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Official Site: http://www.kissonline.com/
Lembre-se de deletar os arquivos do seu computador em 24 horas. Se você gostou do album, então compre-o. Este blog NÃO hospeda e nem arquiva links, apenas aponta links originários de outros sites, sob responsabilidade dos mesmos.
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